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Acquired as part of the Archive of Documentary Arts at Duke University.Ĭollection of 143 stereographic images of areas in southeastern China, taken by amateur photographer and American lighting engineer Frederick B.
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The majority of the images were taken in Hangzhou (referred to as Hangchow), Suzhou (Soochow), Mount Putuo island (Pu-tu), and Shanghai, China, but there are also a few images from other cities (Ningbo, Chang'an, and Harinen?), and a set of 11 images were taken in Japan. Nightingale's photographs are of value not only for the image content, which includes street scenes, vendors, modes of transportation, shrines, temples, pagodas, monasteries, towers, and landscapes, but also for his lengthy contextual commentary written on the back of each card. Nightingale from 1920 to 1921, while he traveled on business as a representative of General Electric. However, these places and artifacts suggest more problematic truths about American life and our relationship to our military."įor her work "After Eisenhower," Clark received the Archive of Documentary Arts Award for Emerging Documentarians in 2017.Īcquired by the Archive of Documentary Arts at Duke University.Ĭollection of 143 stereographic images of areas in southeastern China, taken by an amateur photographer and American lighting engineer Frederick B. The saturation of these oversimplified messages is disconcerting. In response to my curiosities and Eisenhower's warning, my work probes how American patriotic identity manifests when its symbols, e.g., the national anthem and the American flag, are conflated with complex and polarizing issues such as racial discrimination, religion, gender identity, and nationalism. Eisenhower's farewell presidential address warned about the implications of military power and its impact on American culture. How is patriotism learned and sustained without any direct military relationship and in a society that oppresses any aspect of your identity? President Dwight D. "The military is intertwined in the established patriotic, national and Christian identity.
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We learned the critical distinction between the two namely, that the embedded framework of American nationalism is inseparable from and in service to the systemic cultural narrative that brown skin and other physical characteristics are negative." The images convey complex themes of patriotism, Christianity, masculinity and femininity, and other iconographic expressions of "Middle America" culture.įrom the artist's statement: "The photographs in 'After Eisenhower' are influenced by my upbringing in a United States Marine Corps community in Twentynine Palms, California.My sister and I were exposed to the ideologies of American patriotism and nationalism. No locations are recorded for the photographs, but they were all or almost all taken in California. Clark documented signs, symbols, slogans, murals and advertising that permeate the streets and outdoor spaces of an anonymous military town or towns.
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Titled in reference to outgoing President Eisenhower's speech regarding the dangers of military power, this collection consists of 36 16x20 inch color inkjet photographs from the documentary project "After Eisenhower" by photographer Jasmine Clark.
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Acquired by the Archive of Documentary Arts at Duke University. The images convey complex themes of patriotism, Christianity, masculinity and feminity, and other iconographic expressions of "Middle America" culture. Titled "After Eisenhower" in reference to the outgoing President's speech about military power, this body of work by photographer Jasmine Clark consists of 36 16x20 inch color inkjet photographs of signs, symbols, slogans, and advertising that permeate the streets and outdoor spaces of military-based towns.